The daring thought of a Jesuit paleontologist and Jameson's po-mo theories converge.
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THE FINITE SPACE OF THE GLOBE HOLDS THE KEY TO THE HUMAN STORY Teilhard's The Phenomenon of Man The essay: Part One, A focus on evolutionary process. Part Two, The defining power of finite space. |
17 July 2000 Copyright © 2000 Richard P. Richter
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Teilhard de Chardin, Pierre. THE PHENOMENON OF MAN. Tr. Bernard Wall. Introduction by Sir Julian Huxley. New York: Harper & Row (Harper Torchbooks, The Cloister Library), 1959. Originally published in French as Le Phenomene Humain, 1955.
Encarta gives an online thumbnail sketch of Teilhard's life and thought.
Huxley's introduction makes clear that the silencing of Teilhard (1881-1955) by his religious superiors and his "exile" in China for some two decades were significant tests of his convictions and formative conditions for the development of his thought. Teilhard provided for the posthumous publication of The Phenomenon of Man and other works, when the Jesuits would no longer have control over him.
Tucked into my yellowing copy of The Phenomenon of Man are (also yellowing) pages 21-24 from the 26 February 1966 Saturday Review, along with a full-page photo of Teilhard in his dignified mature years. The pages bear an essay on Teilhard by fellow Jesuit Christopher F. Mooney, S.J., on the tenth anniversary, more or less, of Teilhard's death--"A Fresh Look at Man." Mooney was dean of theology at Fordham University.
I have to infer that the appearance of the piece in 1966 evidenced a reversal in the original religious aversion to Teilhard's writings, though Mooney says nothing of that sort. Mooney, not surprisingly, accentuates Teilhard's search for agreement between the evidence of evolution and Christianity. He makes much of Teilhard's personal passion for the notion of convergence: it drove him to try to coordinate his Christian faith and his scientific findings in a grand synthesis. Such an effort seemed important to Mooney, for it overrode the prevailing reductionist mode of intellectual analysis. In its stead he saw Teilhard advocating a unifying synthesis, which allowed a place for Christian insight.
The intensely personal nature of Teilhard's quest emerges from an early statement (in 1924), which Mooney quotes: "Whether or not I am qualified as a philosopher, one fact will always remain, that an average man of the twentieth century, because he shared normally in the ideas and preoccupations of his time [e.g., the theory of evolution], could find equilibrium for his interior life only in a conception of Christ and the world which was at once scientific and unified; and that he found therein peace and limitless scope for personal expansion." Teilhard's glowing vision of a human consciousness leading the way toward a final cosmic unity by now has the look of the poetic about it, despite the scientific and religious rigor that he sought to display in his pages. To say that is not to detract from his original purpose but to state how his elegance of thought may relate to our own needs and insights half a century later.
Teilhard's The Phenomenon of Man
The essay: Part One, A focus on evolutionary process. Part Two, The defining power of finite space.

Jameson, Fredric. THE CULTURAL TURN: Selected Writings on the Postmodern, 1983-1998. New York: Verso, 1998.
This book gathers in the essays that prompted Perry Anderson in a Foreword to say of Jameson, "No other writer has produced as searching or comprehensive a theory of the cultural, socio-economic and geo-political dimensions of the postmodern." (xi) Eight essays make up the book, starting with a 1988 modified version of Jameson's history-making bombshell of 1984, "Postmodernism: The Cultural Logic of Late Capitalism." The other essays in the book: "Theories of the Postmodern," "Marxism and Postmodernism," "The Antinomies of Postmodernity," "'End of Art' or 'End of History'?" "Transformations of the Image in Postmodernity," "Culture and Finance Capital," and "The Brick and the Balloon: Architecture, Idealism and Land Speculation."
Jameson's biographic sketch appears on the website of Duke Univesity, where he teaches.
My essay review of Perry Anderson's THE ORIGINS OF POSTMODERNITY extracts three themes for use in a course of study in postmodernism. Anderson's book is an explication of Jameson's theories on postmodernism. It started as the Foreword to THE CULTURAL TURN but grew into a separate book.
I treat Fredric Jameson's POSTMODERNISM: THE CULTURAL LOGIC OF LATE CAPITALISM in a review and an (incomplete) essay titled "Are These Shoes Made for Dancing?"
Steven Helmling of the University of Delaware reviews Jameson's THE CULTURAL TURN and also Perry Anderson's THE ORIGINS OF POSTMODERNITY.
Teilhard's The Phenomenon of Man
The essay: Part One, A focus on evolutionary process. Part Two, The defining power of finite space.

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Teilhard's The Phenomenon of Man
The essay: Part One, A focus on evolutionary process. Part Two, The defining power of finite space.

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Teilhard's The Phenomenon of Man
The essay: Part One, A focus on evolutionary process. Part Two, The defining power of finite space.