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IN MULTIPLICITY BEGINS THE OVERCOMING OF MODERNITY'S DILEMMA

David Kolb. THE CRITIQUE OF PURE MODERNITY: HEGEL, HEIDEGGER AND AFTER. Chicago: The University of Chicago Press, 1986. Ursinus Library: 190/K83

2 June 2003 Copyright © 2003 Richard P. Richter ..................................................

 

 

 

kolb

 

IN MULTIPLICITY BEGINS THE OVERCOMING OF MODERNITY'S DILEMMA


David Kolb. THE CRITIQUE OF PURE MODERNITY: HEGEL, HEIDEGGER AND AFTER. Chicago: The University of Chicago Press, 1986. Ursinus College library: 190/K83


The postmodernist critique of modernity at this writing, in 2003, has acquired a time-bound niche in recent intellectual history. I date the critical moment of that niche for convenience at 1984. That was the date when Fredric Jameson presented his essay on the cultural logic of late capitalism. Others may choose other dates--associated perhaps with seminal works by Baudrillard, Foucault, Derrida, Perry Anderson, Richard Rorty, or others. But the Jameson pronouncement seems as useful as any to me.

"Postmodernism" now, therefore, has a datedness that makes it vulnerable to easy put-downs. These are coming especially from the neoconservative right, which for the moment seems to dominate public if not academic discourse on the directions of American politics and society. Postmodern voices have been unwilling to acknowledge anything like final foundations or permanent grounds for modern reality and for knowledge of that reality in Western culture. That disavowal has spawned the defensive reaction from those who believe it is possible to re-legitimize a tradition of permanence, thought to be discoverable in the modernist thought of the first two-thirds of the twentieth century. But the postmodernist rejection of such a tradition has remained the central argument and the central issue, even in the face of this reaction--even as the West has undertaken a newly urgent cultural engagement with the Islamic world in the aftermath of 9-11.

While the term "postmodernism" now may have a dated sound and while it may be the target of a special kind of cultural backlash from the right, especially in the America of George W. Bush, the fluidity and uncertainty of life in the West continue to intensify. This perpetuates and, indeed, sharpens the problematic character of high modernism as we knew it when the critical turning point came in, say, 1984. If the modernist West needed to re-think itself in the mid-1980s, the tensions since then--both in thought and in the playing out of politics and society on the global stage--have made such a re-thinking even more desirable. Who am I? What are we? Where are we going? The basic questions of individual and social (national) identity haunt the people of the "post-" (fill in your preferred suffix) period with increasing urgency. Easy denials, facile recalls of old virtues and verities, clarify little and hardly help us look in a meaningful direction.

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Reading a book such as David Kolb's has a special value for someone trying to understand what has been happening. Kolb wrote it at about that moment when postmodernist critique matured, in the mid-1980s. It has about it the spirit of fresh discovery that radiates from many of the works of that period, particularly Jameson's. Kolb's thinking about the problematic nature of modernity's categories continues to be fresh after nearly two decades. He did not succumb to the more fashionable and fleeting discourses of postmodernism. He remained firmly focused in this book on the issues of self-identity, tradition, and change through the optic of two major philosophical analyses of modernism, that of Hegel and that of Heidegger. He showed the analytical strategies of both philosophers as they sought to theorize the internal dilemmas of modernity and thus overcome them. This enabled him not only to measure their strengths and limits but also to conclude with a view of his own. While he did not produce a synthetic product of Hegel-Heidegger, he offered us a useful reflection on the non-grounded world that postmodernism opened up for us.

Kolb devoted his first chapter to a description of the modern world upon which Hegel and Heidegger concentrated. This provides a valuable baseline for anyone seeking to understand the nature of the modern self and its milieu. Kolb gathered clichés about our age, social science discussions of it, and "the basic categories and distinctions behind standard beliefs and attitudes about the modern world." (1)

The commonplace clichés about the modern age, Kolb decided, are in some conflict. Modern life, according to one viewpoint, is "liberation from the dead weight of tradition." From another viewpoint it is in itself "a particularly streamlined tradition." (6) His important insight on these contradictory views, however, revealed something they share: in modernity, we define human identity "without reference to history, set values, or God; let alone race, creed, or national origin." (6) The process by which an individual chooses identity stands apart from the content that he chooses. (This is why in the intensified atmosphere of "postmodernity," people think they can signal identities and changes of identity by choosing external piercings and tattoos. Such choices, however, seem to emerge from "traditional" congeries of signs and symbols, as we see in the "Goth" style, for example.)

When he turned to social science for workable descriptions of modernity, Kolb found, among other sources, Max Weber's theory of "methodological individualism." (9) "The creator of all meaning is the individual self." (9) It is the basis of social constructions. In modernity, the choices made by individuals are the key to social meaning. This contrasts with "the traditional belief that there was some pattern in the nature of things that society and individuals should follow." (9) Kolb believed that this Weberian notion is basic to understanding modernity. It means that "we have at last achieved self-consciousness" that is "final because it is formal." (10) That is, we see an "empty" self, "free" of historically determined content. (10) Weber envisioned this fully transparent self coming to fruition through "increasing rationalization," (10) which meant rule against randomness, consistency in moving from premise to conclusion, and the efficient linking of means and ends. (10)

Through rational practice by individual selves, moderns could increase their control of the world. They could systematize meaning and value "into an overall consistent ethical view." They could make daily life more methodical. (11)

But as a consequence, moderns must separate formal process from its content. (14) Second, "universal rules have become quite formal and do not specify any content to the particular case." Individuals seek their own particular good "and let the invisible hand care for the universal good." (15) This separates the individual from any particular social pursuit in a presumed universal system; he or she is free to choose. (15)

The characteristic institutional structure found in modernity--"the free market and its associated minimal state"--aims to facilitate and protect individual choices; it lacks any substantive values that would give it a cultural texture. In Weber's view, "modern society...is a process waiting for content to come from the choices of its citizens." (16) But Weber feared that this process would lead to "dull uniformity." Weber thus exposed a basic modern conflict: "rootless freedom versus oppressive tradition." (17)

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Kolb's desire to confront this conflict led to his studies of Hegel and Heidegger and to his final attempt at an answer beyond both of them. The nub of his project was to "question the ultimacy of the distinction between formal process and its content." By challenging that ultimacy, he believed, we might escape the Weberian conflict and find "other alternatives for modern man." (17) We might thus overcome the problematique that modernity created when it challenged traditional society but failed to supplant it with a social system that would satisfactorily serve and fulfill the free self.

Kolb turned to his interrogations of Hegel and Heidegger to sharpen his attempt, at the end, to overcome the failing of modernity. His chapters on each thus were warm-ups for expressing what was on his mind. My interest here is not to give an adequate summary of Kolb's summaries of Hegel and Heidegger; it is to capture the nub of his insight into the postmodern moment as it was coming to fruition as he wrote. In neither philosopher did he find satisfactory responses to modernity's shortcomings.

True, they both opposed the instrumental subjectivity expounded by Max Weber: "How the world is revealed is not to be explained in terms of subjects confronting neutral objects." (130) To that extent, Kolb found himself resonating with their respective criticisms of modernity.

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In the dialectical moment, he found Hegel offering a "justification and self-grounding expressed in the overall architectonic" of Hegel's logic. (95) The all-inclusiveness of Hegel's "concept" allowed him to believe that modernity would dialectically yield its own overcoming. (96) Hegel thought that the newly freed citizen in modernity would move from civil society, where contingent desires and external pressures kept him beholden, to the fulfilled life of the patriot in a modern state. Living in the national state, he would find rational validation for his desires. (97)

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Hegel resolved the dilemma of modernity from within itself by embedding the modern subject in the particularity of life in civil society and the state. Heidegger took a different tack in trying to see beyond Weber's instrumental subjectivity, with its power to order neutral objects. He saw the central subject being "removed from the world." (146) This left a "universal imposition" (146) in which "everything faces everything else as ready for ordering and use." (147) Kolb suggested a similarity between Heidegger's idea of universal imposition and Foucault's idea of the "disciplinary society." (149) The generative force in both cases does not come from "first actors" or instrumental subjects; it is a ubiquitous force. Heidegger, said Kolb, tries to rethink the modern situation by revealing its "historical and finite nature." This presumably dethrones the instrumental subject. It allows everything then to be totally revealed, with no hidden dimensions--with no necessary "grounds and foundations." (154)

It comes down to this for Heidegger: "To be aware that modern subjectivity is not the only possibility for historical man is to abandon the idea that distanced subjectivity is the constant essence of human selfhood throughout history." (151) Epochs can have a particular keynote of their own.

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So, Heidegger took a different path from that of Hegel in his search for a strategy to overcome the problem of modernity. Heidegger rejected the idea of instrumental subject-object relations that in modernity underpinned the ambition for infinity and total domination. (166-176) Hegel satisfied his search by locating the subject in the concrete life of the state. Heidegger drove onward into the borders of mysticism in his never-completed effort. (176)

Kolb could not synthesize the thought of his two philosophers into a coherent system for the modern world. However, he could see a common thread in their search that would lead to a view of his own. Both Hegel and Heidegger, he believed, were looking for a non-traditional way to recognize "the happening of the world without basing it on an ultimate ground." (214) The bugaboo throughout for both of them--and for Kolb--was the presumption of the modern rational subject to universalize the world in total transparency. (220)

In different ways, Hegel and Heidegger were trying to show that this presumption could not stand. Modernity as we think of it in its classic form therefore could not stand. Kolb agreed with this broad consequence of the thought of both Hegel and Heidegger. He ended by having his own look at the modern world, informed but not determined by Hegel and Heidegger. (237)

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As he compared Hegel's system of thought with Heidegger's, Kolb understood that total transparency, the universally grounded revelation of form and content, was the elusive, false promise of modernity against which they--and he--were vying. (221) Hegel, to be sure, failed to "achieve his overarching totality." (237) Heidegger, to be sure, limited his project by remaining fixed on an implicit transcendentalism--"the unity and immediacy of what is granted as a clear space." (238) Yet, Kolb acknowledged their (flawed) efforts and sought a better understanding of his own, pointing toward an answer as follows:

Could we make sense of a multiplicity of understandings of what it means to be that happen by interacting and being together and so hold open the space for the appearance of the world rather than themselves emerging against the background of one unified horizon in one dominant event? [my emphasis] (221)

And, importantly, he added:

...we will be wary of attempting to overcome modernity's problems by / enfolding the modern world within a larger context that is itself a totality we can become aware of. (221-222)

With these words we see Kolb entering the frame of mind of postmodernity. Multiculturalism, just starting to flourish in the academy as he wrote, could have found in Kolb an ally.

His basic objection to both Hegel and Heidegger was that they believed that the respective conditions that they elucidated were "prior to anything ordinary." (239) Kolb rebelled against this preemptive posture. Perhaps, he suggested, "nothing is first." (239)

...there are no unitary deep conditions--where history is not the deployment of some initial or final granting of presence. (239)

Kolb objected to one "deep or totalizing story"--whether it was Hegel's "overall teleology" or Heidegger's "unified epochs." (240) He faced again toward the postmodernist insight into a world that was "not a unified totality on any level, preconceptual or conceptual." Let's suppose that multiplicity went "all the way down." (240)

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Kolb understood that this by-now-familiar postmodernist turn challenged our entrenched modernist grasp of an instrumental self. How could the self survive in a world that it could never objectively survey or systematize in its totality? His short answer was that the self-subject existed as an appropriation of the world-object. It could never exist apart. "They need each other; the event of their happening is not a relation of two entities each complete in itself." (244)

Multiplicity "all the way down" applies to selves as to all else. Kolb offered consolation at the diminishing of the unitary self. We are free to strive for unity or totalization, he said, but the result will not be unity or totalization--it will be at best "another element in the multiplicity." (249) This seems to be a loss from the standard modernist viewpoint. But the self in a multiple context gains from the disappearance of any "final unifying condition or horizon." (249) It is in and of context always and thus can interact in ways that are "reminiscent of dialectic" unavailable to the unitary modernist self. (250)

Revisiting the modern world at the end of his study, Kolb projected a tone of careful acceptance. It was a mistake of modernity to confer on the instrumental self an absolute freedom, apart from the world it surveyed. By rejecting that Promethean vision, however, Kolb did not reject the authenticity of a self that, from the first, embeds in history, language, and culture.

Kolb did reject the notion of a unique modern age, periodized and walled off from a traditional age that preceded it. He rejected--in familiar postmodern fashion--the possibility of creating totalizing historical periods at all. "There can be no change in the world as a whole." (261) There always will be "the travail of the negative and the tearing apart of differences that are never reconciled." (262) Kolb was not denying that a modern age exists; he was denying that it is what we have thought it was--single and unifying. (263)

Finally, what happens to individual human freedom if the self no longer enjoys the "purity" of instrumental independence in the standard modern mode? It survives, Kolb thought. Now, however, instead of operating on a unifying "ultimate ground," it operates in "many spaces." It seeks to understand "many conditions and histories." In short, "to be aware of the multiplicity we inhabit increases our freedom" rather than diminishing it. (267-268)

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Kolb's look at the world in the mid-1980s by now, of course, yields the familiar excursion from modern to what many feel comfortable calling postmodern conditions. To get the full benefit of his use of Hegel and Heidegger as blocking backs, as it were, one would have to go to their texts and read along with him--a mission I am not about to undertake in any systematic way for now.

It suffices for me to take from his study that the theory of modernity never enjoyed a full and adequate formulation. It helps to reflect again on the problematic nature of rationality and the idea of progress. It helps, especially as we in the West try to engage with traditional Islam, to see that the universal pretensions of modernity exhibit increasingly evident flaws. From Kolb I take a new understanding that the formulation of modernity dissatisfied Hegel and that he was busy long ago trying to think his way through its limits.

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While reading Kolb, I was thinking about the neoconservative revolution in American politics and culture brought on by the Bush administration. In their style and in some of their objectives, the Bush revolutionaries seem to rise out of the modernity that Kolb sought to overcome. Their drive to solidify the population in a national endeavor that marginalizes debate and difference seems to have roots in Hegel. When Bush goes on about "moral clarity" and "honor and dignity," he seems to be saying that there is an ultimate and unifying ground that we ought to seek and live by.

On the other hand, the sheer brilliance of the White House's program of media manipulation and message mongering has the earmarks of the new "multiple" modernity described by Kolb. Bush is unfazed by fundamental contradictions and conflicts in policy and execution. He overcame the incoherence of his rationale for preemptively invading Iraq by using impressionistic phrases, photos, and news ops. He was able successfully to defy modernist logic and persuade without the benefit of clearly drawn causes and effects such as rationality would demand. This appears to be true also about his case for the tax cut successfully passed by Congress.

I end on these glances at our national political drama not to pursue them here but to remind myself. Thought matters. The way we think the world is tends to make us behave accordingly. Kolb was in the growing army of thinkers in the last years of the twentieth century who could not support the old-time notions of universal purpose and the possibility that rationality might reveal everything. I can imagine a time in the future when thinkers yet unborn will see Kolb's allegiance to the idea of multiplicity "all the way down" as in some way flawed or perhaps quaint. For now, though, it is the dominant note. But it is not the only note. Residual notions of modernity also survive. And they produce cross-currents and tensions that promise no clear-cut resolution. In other words, multiplicity reigns even over systems and sages that contradict it. What this will mean for the fate of the neoconservative revolution in America is unclear. We will have to live through it to see whether the theory of multiplicity holds up under the weight of our experience..

2 June 2003 Copyright © 2003 Richard P. Richter