INTRODUCTION
BY ROBERT S. HARTMAN (ix-xl)
I. The
Significance of Hegel for History (ix-xxi)
Hartman, writing
in 1953, offers us the view that Hegel's philosophy
of history had a profound effect on virtually all
political systems and ideologies, even those--such as
Nazism and Communism--that opposed one another. (xi)
The dialectical form
of his philosophy, Hartman says, rather than the
content of his history, explains why it had such a
broad influence. (xi)
The power of his
system derived from the way Hegel caught the whole of
thought and the world in its chain. (xii) It was, at
the same time, independent
of any concrete fact and totally
immersed "in the concrete
factuality of the world." (xii) To quote
Hartman:
The power
of the method lies in its inner dynamic and
universal applicability. One thought, in an
almost literal sense, "gives" the
next--thesis leading to antithesis, and both to
synthesis, the latter serving as new thesis...ad
infinitum. (xii)
Hartman then
mentions examples of 19th and 20th century events
touched by Hegel's philosophy and how both the Left
and the Right misunderstood it. (xiii) Many
mistakenly thought Hegel saw the Prussian state as
the culmination of history; he saw it as the highest
development up to his time but not in an absolute
sense. (xiv) Hegel's influence on Walt Whitman,
prophet of American democracy, (xv) and on John
Dewey, author of American pragmatism, counterbalanced
his reputed authoritarian influence. (xvi)
Hartman then
explains how Hegel's thought swept past Kantian
philosophy to assert that history is the progress of
the self-development of Spirit in the world. And,
"since Spirit by its inner nature is free,
History is the progress of Freedom." (xvii)
Hegel thus had a more profound influence on
romanticism than Kant (xviii). His influence on
materialist thinking, through Marx, was even more
far-reaching. (xix-xxi)
II. The
Significance of History for Hegel (xxi-xl)
1. Idea
and Spirit (xxi-xxv)
Hartman here
attempts to summarize Hegel's sense of History as the
interrelationship of Idea-Nature-Spirit. From this
interrelationship comes Hegel's notion that History
"is not the appearance [but] the reality of
God." (xxi) The unfolding of knowledge of
History yields knowledge of God, and this is a
progressive and optimistic process (since God is
good). (xxii)
Hartman
introduces this section by saying that "History
is the development of Spirit in Time" for Hegel.
(xxi) By Time he means "the time of
consciousness," during which Spirit "beats
out the 'phases' of history" (xxii) in concrete
events. Hartman elaborates by discussing the way
Hegel's philosophy captures the tension between the
universal and the particular, the individual and the
eternal--always directed by the quality of Freedom.
(xxiv-xxv)
2.
Freedom (xxv-xxvi)
In these two
pages, Hartman gives us a convenient and powerful
summation of Hegel's association of Spirit (Freedom)
with human knowledge. This is the heart and soul of
the modern idea that "the content of
knowledge...is the spiritual itself." (xxv) [Therein,
I think, we see the justification for the
professionalization of knowledge in the 19th century
academy.]
World
history is the progress of Freedom, because it is
the progress of the self-consciousness of Spirit.
(xxv)
Spirit is
self-reflective; it does not find a content elsewhere
but rather makes itself "into its own object,
its own content." Hence its freedom. (xxv)
3. The
National Spirit (xxvii-xxix)
For Hegel,
universal Spirit was not an abstraction; it was a
"concrete actuality" in the form of human
individuals and collective peoples. They made up
nation states, which were organizations of Freedom.
Hartman explains how badly his readers misunderstood
Hegel's notion of the state. (xxvii)
The state is
essential to Hegel as an instrument of the progress
of Spirit. One people in its state develops to a
heightened consciousness of itself (as Spirit), then
ceases to strive onward, leans back and enjoys its
achievement, declines while reflecting on itself
through philosophy and art. As this people dies off,
its national and particular accomplishment of Spirit
(toward making Freedom conscious of itself)
"returns to its universality," which is
thus enriched. Another people picks up this enriched
universal Spirit in its own concrete experience and
goes through the same process, adding its
understanding to universal Spirit; and so on until
the completion of civilization. Art, religion, and
philosophy are created by finite states but transcend
states in significance because they contain the
absolute Idea--states are only phases of history.
(xxix)
4. The
Four Kinds of Men
Hartman says
that Hegel placed individual man in a sphere beyond
the state, but his interpreters neglected this. (xxx)
He posited four types:
--The citizen:
the individual who becomes conscious of his freedom
is an instance of the universal of freedom, which is
the state. (xxxi) Hartman examines numerous ways in
which readers misinterpreted this Hegelian notion of
the citizen in the state, to the point of caricature.
(xxxii-xxxiv)
--The person:
The person is the absolutely moral being, whereas the
citizen is merely the relatively moral being
functioning within the state. The person taps a
"deeper recess of the human spirit which is
beyond the state." This makes man "an end
in himself." (xxxiv-xxxv)
--The hero: He
stands between the citizen's relative, social
morality and the absolute morality of the person. He
combines the "uniquely individual" with the
"universally social." His morality is
"not that of the state but that of creating the
state." (xxxvi) He is an impersonal conduit of
Spirit as it develops. (xxxvii) He is the subject of
history.
The victim: He
is the object of history, the private person
"who prefers happiness to greatness."
(xxxviii) He lacks the historical insight of the hero
and becomes history's victim. He isolates himself
from the process of World Spirit but is nonetheless
part of it. His tragedy is to be blind to what is
happening to him in that process, though he may be
"moral" in a small sense. (xxxix)
End of INTRODUCTION
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