"Avignon,
Anno Domini 1348" by Dan Sergeant
The priest will not bless her.
He walked away,
Ave María grátia plen strangled
by the sleeve he held over his mouth.
The Holy Ghost, it seems, cannot reverse
the instinct for self-preservation.
At nine years old, she’s little more
than sweaty
paper flesh in bundled rags – and yet
her weight sinks low his footsteps on the
path
from church back home. A heaviness of spirit,
perhaps, made palpable in his arms.
Inside,
his wife is still in bed, her hair in braids
behind her head, her pouting lips, her lymph
nodes
swelling bursting bleeding black, like coal
on snow skin. Crimson brushstrokes creep
from corners
of nose and mouth, and he goes cold –
they were
not there before. She is asleep; they’re
both
asleep, but sleeping in a mimicry
of death - all limp and silent. Eyes do not
flutter, nor is there movement save the shallow
breaths
that seem more ceremonial than real.
He does not know what lymph nodes are, of
course, nor
yersinia pestis, nor the penicillin
that could wake them from their slumber.
But
he knows this - he knows the sepulchral
sound of agony in the wind; he knows,
better than the blood, the curves of his
wife’s face; and he knows how to whisper
screams
at Mass, where he walks through unvoiced
fires, and
where he has heard the awesome silence of
God.
The air is still and thick, the sunlight
catches
dust and smoke like detritus of hope imploded.
Bodies he has seen collapse, and he
had thought he’d seen the same for
faith, but he,
til now, had only seen it hollowed –
the termite-
burrow emptiness, the leaking font
drained dry. This is panic boiling
the heart, the copper taste of bile in
the throat, the tightening noose around the
skull.
This is collapse.
He lays at bedside porridge,
a leaf or two of brown cabbage, some wine
and gently shuts the door. Now he is finished.
He starts to pray for forgiveness (for old
habits die slow) but stops himself. Instead
he stoops down low and gathers up his words
and slowly flings them, stone-like, to the
dark.
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